Art Around Adams Part 4 – Jason Hanna & the Bullfighters

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My father was 26 years old when the BeatlesPlease Please Me came out.  I used to tell him that he was still young enough then to have followed the Beatles and the Stones instead of  staying on the path that lead to Andy Williams and Glen Campbell. But the die was cast by that point, and rock ‘n’ roll was not going to be my dad’s thing.  However, it turns out there was a section of his record collection that I would eventually come to fully appreciate.  For as the British Invasion was in full swing, my dad was listening to The Lonely Bull, South of the Border and Whipped Cream & Other Delights by Herb Alpert & the Tijuana Brass.  It turned out my dad was much cooler back then than I ever gave him credit for! Continue reading

Art Around Adams Part 3 – The Schizophonics – June 4, 2016

I made it through the first 55 years of my life without ever seeing The Schizophonics and now I’ve seen them four times this year already. I was doing it wrong!  The first time I saw The Schizophonics I had no idea what to expect.  It was a crowded night at The Casbah and I was near the back craning my neck looking for the second guitarist. I turned around to say something to my friend and he was doing the same damn thing! Continue reading

Art Around Adams Part 2 – Cardinal Moon – June 4, 2016

Next up on this perfect day for local music was Cardinal Moon.  The last time I saw this band was at their debut performance at the Redwoods Revue at the Music Box in early May.  The creative duo behind this new San Diego band is singer/guitarist/songwriter Dawn Mitschele and Al “another band? sure, why not” Howard. Continue reading

Art Around Adams • Imagery Machine • June 4, 2016

There were so many great bands to see at last weekend’s Art Around Adams festival but fortunately whoever scheduled this event managed to have all my favorites playing at different times.

First up was Imagery Machine. I imagine the beginning of this group to have gone something like this: “Hey, we should start a band!” – “Good idea, what kind of music should we play?” – “Let’s play all kinds.” – “Ok, I’m in!”

That’s an exaggeration of course but Imaginary Machine does have an expansive sound that draws on many different influences. Just check the two videos posted below.  The first clip is of “Lyon”, a summery rock song with a gorgeous vocal melody by Jennie Lynn and intertwining guitar leads. The second is “Drum Winds”, a full blown reggae jam that gives everyone in the band a chance to shine, including the two backup singers,  Kristin Jennings and Daechelle Hernandez.  It’s a highlight of the song when they switch from providing harmonies for Jennie to becoming co-lead vocalists for a chorus in the middle of the track.  And check out the solos by James Howard (Retra) on guitar,  Tyler Shimkus (Mittens) on drums, and Will Mino and bass – these guys can flat out play plus you can easily tell just how much fun they are having throughout the performance.

Imagery Machine bills itself as a rock/reggae/prog band – and that’s an interesting combination already – but even that doesn’t fully describe the scope of their sound.  This is a relatively new band, having formed just last November, yet already they have performed on some of San Diego’s best stages like The House of Blues and The Belly Up Tavern. As nice as those venues are, on this day a sun-splashed stage next to the Kensington Library was the perfect setting and a great start to a day of art and music on Adams Avenue.

Here’s “Lyon” and “Drum Winds” at Art Around Adams:

Imagery Machine links: website •  instagram • facebookspotifyyoutube

Dragons, Creepy Creeps, The Phantoms – Jan. 14, 2014

2014 Flashback…

If anyone needed a reminder of how fun rock ‘n’ roll can still be, they should have been to this show at The Casbah in San Diego. The Casbah was celebrating its 25th anniversary and was hosting bands from throughout its storied history, along with the kind of acts that should keep the venue vital for another quarter of a century.

First up on an all San Diego bill were newcomers, The Phantoms. This group features Victor Penalosa, the current drummer for the Flamin’ Groovies, on guitar and vocals, and a fantastic backing band of Xavier Anaya on lead guitar, Chris Iandolo on bass and Jarrod Lucas (from The Dragons) on drums. They opened with the lead song from their self-titled debut album, “Baby Loves Her Rock and Roll”, which sounded like a revved up long-lost song by The Beat (Paul Collins’ not English). The Phantoms then charged through their 10 song set as if they were the headliners with songs like “Stab My Broken Heart”, which besides kicking ass throughout, ended with the opening riff to “Love Gun” by KISS. The set then ended with a garage rockin’ version of Bob Seger’s “Rosalie” and then an homage to the bassist for glam-rock heroes Mott The Hoople with “The Ballad of Overend Watts”.  These guys seem to be channeling the late 70’s/early 80’s power pop of The Plimsouls, 20/20 and the aforementioned Beat and are definitely a band keep an eye on.

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Soft Lions – The Casbah – July 16, 2015

One of my favorite bands in San Diego for a couple years now has been Soft Lions.  I was fortunate to see them in their debut show at the Soda Bar at the end of 2013; I saw them again the next year opening for Small Black and Snowmine, and then again this past summer at a headlining record-release show at the Casbah.

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BØRNS + Midnight Pine at Birch Aquarium 5-18-16

It’s been a few years since I’ve been to one of the Green Flash concerts at the Birch Aquarium, but when I saw that San Diego’s own Midnight Pine was playing, I snapped up a couple of tickets for myself and my wife.  As the evening went on I was reminded of what I loved, and didn’t love, about the venue.  It is a gorgeous setting at the aquarium’s outdoor patio/tide pool area with a broad view of La Jolla and the pacific ocean.  The atmosphere and location seems to put everyone in a really relaxed, chill mood.

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The Creepy Creeps – Belly Up Tavern 4/19/16

The Belly Up crowd usually doesn’t start to really fill in the space until the headliners are getting ready to go on.  Not so on this night, as San Diego’s own garage/punk/surf-rockers, the Creepy Creeps, brought their demented brand of “dance numbers” to the Solana Beach venue as the warm up act for The Damned (look right below this post for a review of the Damned set).  And warm up the crowd they did – exhorting the crowd to dance and cut loose while they played with their usual reckless abandon.  Every time I see this band play they have a full dance floor in front of them and it doesn’t matter if they are the headliners or the 1st act on a 4 band bill – they bring everything they’ve got.

Check out this clip recorded at The Belly Up last summer: Creepy Creeps – Belly Up

 

Citrus & Katie – The Merrow 4/26/16

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On my way down to see Black Mountain at the Casbah (see my review here) I stopped in at The Merrow to see Citrus & Katie play.  As they were the first out of four bands to hit the stage that night, the crowd, while enthusiastic, was still relatively small.  But the ones smart enough to get there in time were treated to a thoroughly enjoyable set of songs.  Fortunately, one of the early arrivals was my friend Bella Lugosy, aka AcidTones, who took the fantastic pictures included with this story.

The Katie referenced in the band’s name is Katie Howard, lead singer of local psych/surf/indie rock band Big Bloom and co-owner of the Little Dame art/retail shop in North Park.  Then I used my powers of deduction to figure out that the remaining members – Oscar Carrion (from Splavender) on guitar, Grant Gilbert on bass (also in Big Bloom), Andre Flores on keys/sax, and Brian Disney on drums – were Citrus.  Together they played a hybrid of different styles that I don’t believe I’ve heard before.

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My first thought as I listened to Citrus & Katie was that they are part of some sub-genre like “indie-lounge-jazz”.  The opening song had Katie singing beautifully over the top of Oscar’s fluid, seemingly effortless, guitar playing.  And some of the songs were all about that kind of vibe – but then all of a sudden the structure would break down, sometimes into a guitar freak-out and  at other times each instrument would go in an unexpected direction.  Sometimes this would happen all at the same time – as if each musician was playing a different song simultaneously.  Please know, I mean that in the best possible way as the resulting sound was thrilling.

A highlight of the show was the song “Bounce” which starts with a funky riff from Oscar; he is soon joined by Brian with a spare but powerful rhythm and by Grant with a groovy bass line;  Andre provides just the right shading with his keys; and only then does Katie enter the song like a chanteuse in some dark Parisian expat nightclub.  After the first set of verses, Oscar lets loose a syncopated, almost prog-rock, guitar solo before settling back into the groove. In the second break Grant holds down the beat AND provides melodic runs with Oscar’s guitar backing him up.  Then the guitar drops out, the bass comes up and Andre lets loose with a ferocious sax solo.  Then the song ascends (descends maybe?!) into some form of organized cacophony!

Citrus & Katie AT 01

I have to admit that I don’t know much about jazz but my instincts tell me that Citrus & Katie use jazz as a starting point and then take the songs in different and unexpected directions.  This allows them to both contrast with the majority of indie acts playing the local scene but still appeal to wide range of listeners who are drawn to their musicianship, experimental song structures, and obvious love of playing together.

Here’s a video I took of their new song “Creature” from this show and here’s a video of “Bounce” by AcidTones from a show at the Black Kat last year.

 

 

Redwoods Revue – The Music Box – 4/1/16

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I’m sure there are a lot of great local music scenes spread throughout the country with talented, creative and ambitious musicians playing in bands to crowds large and small. But there seems to be something special going on in San Diego right now as the number of worthwhile bands that can be found across stages throughout our county is truly impressive.  On almost any particular night there is a group worth checking out somewhere: from the Soda Bar in North Park to the Casbah in Little Italy to the Pour House in Oceanside.
This was never more apparent than at the Music Box on April 1st when the Redwoods Revue II took over the swanky downtown venue.  On this night Al Howard and the gang at Redwoods Music put on a show with five acts from their roster: Cardinal Moon, Dani Bell & the Tarantist, Birdy Bardot, The Midnight Pine and Rebecca Jade & the Cold Fact.  I’ve seen a lot of local bands at a bunch of different venues but I’d always wondered what they would look and sound like on a bigger stage with a superior sound system and top-notch lighting.  Now I know.  They look and sound awesome!

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