The Creepy Creeps – Belly Up Tavern 4/19/16

The Belly Up crowd usually doesn’t start to really fill in the space until the headliners are getting ready to go on.  Not so on this night, as San Diego’s own garage/punk/surf-rockers, the Creepy Creeps, brought their demented brand of “dance numbers” to the Solana Beach venue as the warm up act for The Damned (look right below this post for a review of the Damned set).  And warm up the crowd they did – exhorting the crowd to dance and cut loose while they played with their usual reckless abandon.  Every time I see this band play they have a full dance floor in front of them and it doesn’t matter if they are the headliners or the 1st act on a 4 band bill – they bring everything they’ve got.

Check out this clip recorded at The Belly Up last summer: Creepy Creeps – Belly Up

 

Citrus & Katie – The Merrow 4/26/16

Citrus & Katie AT 03

On my way down to see Black Mountain at the Casbah (see my review here) I stopped in at The Merrow to see Citrus & Katie play.  As they were the first out of four bands to hit the stage that night, the crowd, while enthusiastic, was still relatively small.  But the ones smart enough to get there in time were treated to a thoroughly enjoyable set of songs.  Fortunately, one of the early arrivals was my friend Bella Lugosy, aka AcidTones, who took the fantastic pictures included with this story.

The Katie referenced in the band’s name is Katie Howard, lead singer of local psych/surf/indie rock band Big Bloom and co-owner of the Little Dame art/retail shop in North Park.  Then I used my powers of deduction to figure out that the remaining members – Oscar Carrion (from Splavender) on guitar, Grant Gilbert on bass (also in Big Bloom), Andre Flores on keys/sax, and Brian Disney on drums – were Citrus.  Together they played a hybrid of different styles that I don’t believe I’ve heard before.

Citrus & Katie AT 02

My first thought as I listened to Citrus & Katie was that they are part of some sub-genre like “indie-lounge-jazz”.  The opening song had Katie singing beautifully over the top of Oscar’s fluid, seemingly effortless, guitar playing.  And some of the songs were all about that kind of vibe – but then all of a sudden the structure would break down, sometimes into a guitar freak-out and  at other times each instrument would go in an unexpected direction.  Sometimes this would happen all at the same time – as if each musician was playing a different song simultaneously.  Please know, I mean that in the best possible way as the resulting sound was thrilling.

A highlight of the show was the song “Bounce” which starts with a funky riff from Oscar; he is soon joined by Brian with a spare but powerful rhythm and by Grant with a groovy bass line;  Andre provides just the right shading with his keys; and only then does Katie enter the song like a chanteuse in some dark Parisian expat nightclub.  After the first set of verses, Oscar lets loose a syncopated, almost prog-rock, guitar solo before settling back into the groove. In the second break Grant holds down the beat AND provides melodic runs with Oscar’s guitar backing him up.  Then the guitar drops out, the bass comes up and Andre lets loose with a ferocious sax solo.  Then the song ascends (descends maybe?!) into some form of organized cacophony!

Citrus & Katie AT 01

I have to admit that I don’t know much about jazz but my instincts tell me that Citrus & Katie use jazz as a starting point and then take the songs in different and unexpected directions.  This allows them to both contrast with the majority of indie acts playing the local scene but still appeal to wide range of listeners who are drawn to their musicianship, experimental song structures, and obvious love of playing together.

Here’s a video I took of their new song “Creature” from this show and here’s a video of “Bounce” by AcidTones from a show at the Black Kat last year.

 

 

Redwoods Revue – The Music Box – 4/1/16

redwoods

I’m sure there are a lot of great local music scenes spread throughout the country with talented, creative and ambitious musicians playing in bands to crowds large and small. But there seems to be something special going on in San Diego right now as the number of worthwhile bands that can be found across stages throughout our county is truly impressive.  On almost any particular night there is a group worth checking out somewhere: from the Soda Bar in North Park to the Casbah in Little Italy to the Pour House in Oceanside.
This was never more apparent than at the Music Box on April 1st when the Redwoods Revue II took over the swanky downtown venue.  On this night Al Howard and the gang at Redwoods Music put on a show with five acts from their roster: Cardinal Moon, Dani Bell & the Tarantist, Birdy Bardot, The Midnight Pine and Rebecca Jade & the Cold Fact.  I’ve seen a lot of local bands at a bunch of different venues but I’d always wondered what they would look and sound like on a bigger stage with a superior sound system and top-notch lighting.  Now I know.  They look and sound awesome!

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Hiroshima Mockingbirds – Til-Two Club, San Diego – 4/9/16

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OK, so I think I’ve got this figured out now.  Jon Bonser, the drummer for The New Kinetics and Soft Lions (on the right), wanted to play guitar.  And Brian Reilly from the New Kinetics (center) felt left out with only one band. So in order to resolve these issues they obviously needed to form a new band – and call it the Hiroshima Mockingbirds.  Makes sense to me.

This was the third time I’ve seen a debut show in the past month (including Creepseed and Cardinal Moon) and like the other two, if they hadn’t told us it was their first set we never would have guessed.  Everything about the HM’s madhttps://maxsoundsmusic.com/2016/03/17/creepseed-the-casbah-san-diego-mar-14-2016/e it seem like they’ve been around for awhile and will be around for some time.  They fit perfectly into the indie/garage scene that is revitalizing rock n’ roll on a local and national level.

For at least twenty years now I’ve heard and read that rock is dead or dying (fuck you Gene Simmons) but when I see a set by a new band like the Hiroshima Mockingbirds I know that I’ve got nothing at all to worry about.

Here’s a video of “Jonny’s Trees”: Hiroshima Mockingbirds at the Til-Two Club

Creepseed Instagram

Big Bloom – Ché Café – March 24, 2016

Big Bloom closed out a show at the Ché Café Thursday night after sets by San Diego’s Spooky Cigarette and Brooklyn’s Haybaby.  This was the second time I have caught Big Bloom and I still can’t figure out what kind of band they are.  They seem to be pushing and pulling themselves in different directions – from song to song and even within a song.  It is fascinating to hear different genres and influences come to the surface and then morph into something else.  Classic rock, surf, psych, metal and garage all take turns to create interesting songs and a dynamic performance, all with singer Katie Howard’s impassioned vocals laid over the top.  With such a big and varied sound I’d really love to catch this band on a bigger stage and with a much better sound system then the Ché Café has to offer.  But really – catch this group if you can – on any sized stage!

Here are two songs from this performance:  Venus / Step Up to My Face

Haybaby – Che Cafe, San Diego – March 24, 2016

Hay Baby 02

I went to the Che Cafe tonight (for the first time) to see local favorites Big Bloom but was also impressed with the performance of Brooklyn band Haybaby.  This guitar/vox, bass and drums trio would be hard to put into any one genre. Really, they seemed like a noisy/poppy/indie rock band that is willing to go anywhere the song takes them.  The rhythm section of Sam Yieldon bass and Jeremy Duval on drums was locked into a groove on most songs, allowing the singer/guitarist, Leslie Hong, free reign to just go apeshit over and around whatever they were laying down.

Haybaby, who are apparently quite busy in the Brooklyn club scene, have been on tour for a while now, including a stop at SXSW – though according to Yield, they had to miss some shows due to flooding along the way. He also said that though the band has toured before, this was their first trek to the West Coast and from one venue to another they’re never sure what they’ll find or how many fans they’ll play for. He did say that Haybaby gives the audience everything they’ve got whether it’s 100 fans or just 7 people checking them out. I’d like to see this band again, but next time with better lighting and sound than the Che offers.

Links:  Haybaby Instagram

Hay Baby 01

Spooky Cigarette – Che Cafe, San Diego – March 24, 2016

Spooky Cigarette

San Diego’s Spooky Cigarette opened for Brooklyn band Haybaby at the Ché Café last night.  This band shows an obvious love of late 70′s/early 80′s post-punk/no-wave, combining distorted and often discordant keys, melodic guitar and bass, staccato drumming and almost atonal (and also distorted) vocals in a sound that is a real throw-back to the art-rock of those earlier times.  It would really surprise me if these guys weren’t really into Joy Division and early New Order and it’s fun to watch and listen to younger bands mine those influences.  And while the mostly awful sound system found at the Che was not doing them any favors, Spooky Cigarette still put on a great show and I hope to have a chance to catch them again soon.

Spooky Cigarette instagram page.

The Bad Vibes – Soda Bar, San Diego – 3/17/16

I didn’t know much about The Bad Vibes before this show but I plan to rectify that soon. This San Diego quintet just killed it on the small Soda Bar stage!  They played a hard rocking bluesy set that covered a lot of ground; fans of psych, doom, heavy metal and even jam bands will find a lot to like here.  There was a gothic darkness just below the surface of their songs, reminding me a lot of the atmosphere created by Nick Cave & the Bad Seeds.

Check out this video of  “Vulture Blues” from this show…

The Bad Vibes on bandcamp