The Warning • Rock n Roll Lives!

The naysayers have been predicting the death of rock ’n’ roll for decades, but I’ve never understood that way of thinking. Rock music has always reinvented itself.

In the ’60s, there were the Beatles, the Rolling Stones, and the Who. In the ’70s, Led Zeppelin, Queen, and the Clash. The ’80s brought U2, the Cult, and Guns N’ Roses. The ’90s had Nirvana, Pearl Jam, and Nine Inch Nails. The 2000s gave us the White Stripes, the Killers, and the Strokes.

And there are so many others – ranging from Blondie to 4 Non Blondes, and from Talking Heads to Radiohead. Which of these bands wasn’t really rock? Which one marked the end of the era? From Howlin’ Wolf to Wolfmother to Wolf Parade, rock doesn’t die – it shifts, morphs, and is born again and again.

When people say rock is dead, what that really means to me is that they’ve given up. There are countless bands that could fit into this lineage, but here’s one example of a throughline that shows the genre’s resilience and regeneration: Scorpions to Iron Maiden to Metallica to Muse to… The Warning.

The Warning is a three-piece band from Monterrey, Mexico, made up of three sisters: Daniela (Dany) on guitar and vocals, Paulina (Pau) on drums and vocals, and Alejandra (Ale) on bass and vocals. They first came to public attention when their cover of Metallica’s “Enter Sandman” went viral—when they were just 9 to 14 years old.

You can look up the lore and history of The Warning – and the fervor of their fan base, known as The Warning Army – anywhere. The point is this: rock ’n’ roll is still a living, breathing force, and this band of sisters from Mexico isn’t just carrying that legacy forward – they’re injecting it with new life and showing exactly how to fucking kick ass for another generation!

To that end I present “Dust to Dust/Dull Knives (Cut Better)” from the band’s second album, Queen of the Murder Scene, from 2018. These two songs, played back to back, are everything I’ve loved about rock music since bands like Queen, Rush and Aerosmith grabbed me by the ears over 50 years ago:

Next up is “Hell You Call A dream” from the band’s most recent album, Keep Me Fed, from 2024. This song features an absolutely ferocious vocal performance from Daniela.

Finally, here is the song that brings it full circle. 10 years after their viral debut, The Warning reimagines “Enter Sandman” for a sold out audience at the Pepsi Center in Mexico city.

Welcome to The Warning Army!

Queen II • Origin Story

The way it worked was that the Columbia Record Club would send a monthly newsletter/catalog. Inside there would be a broad choice of popular, classic and new releases. If you didn’t return the enclosed card with your choice then you got a random LP sent that you had to pay for. Some time in 1974 I chose Queen II as my album for that month.  I made this decision based solely on how cool the cover was since I’m not sure I’d heard Queen yet.  At the time, Queen wasn’t being played on the radio yet. I don’t remember them being played until “Killer Queen” came out on Sheer Heart Attack later in the year.

I still remember sitting on my bed opening the album for the first time.  The front cover, with Freddie, Brian, John and Roger’s faces surrounded in black is iconic.  Then I opened the gatefold and took in the photo of the band clothed in white with an all-white background.  Clearly this represented the light and dark sides of Queen, the melodic and the heavy.  Because Queen, in their early days, and especially on this album, could be really fucking heavy!

I put the record on and it was everything I ever wanted from music.  And now, 50+ years later, it remains a touchstone that marks the beginning of a lifelong love (obsession?) of discovering new music.   

*Unfortunately these pics are not of my original copy of Queen II. That record is long gone and these are from the 2015 Hollywood Records 180g recreations of the album.

Queen • A Night at the Opera Tour Program

Here’s the program I’ve saved from the first Queen concert I attended. I was 15 on the night of this show at the San Diego Sports Arena on March 12, 1976. This was my fourth concert ever and I remember the experience being almost overwhelming. Queen had a great and varied career, but early Queen was by far my favorite era of my favorite band.

The Who Hits 50! + Slydigs – San Diego – May 27, 2016

The Who has been one of my favorite groups since I can remember knowing about rock ‘n’ roll.  I can recall the first time I heard Quadrophenia in junior high and it has been in my main listening rotation ever since.  In high school “Baba O’Reilly”, from Who’s Next, was still played regularly at school dances and when I got to college my roommate had a GIANT promo picture of the cover art from Who Are You hanging in our dorm room.  I’ve seen The Who several times, including a trip to The Forum in the mid-’70s and the Quadrophenia tour just a few years ago.  Including this last show, if I close my eyes and just take in the music I don’t feel that the passage of time has diminished their power and musicality at all.  Sure, it’s not the same without Keith Moon and The Ox, but with Zak Starkey  on drums and Pino Palladino on bass the creative duo of Pete Townsend and Roger Daltrey have found very capable substitutes.

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Neil Young & Promise of the Real – Rimac Arena UCSD – Oct. 13,2015

I got home around 1:30am after just leaving a 3:20 long Neil Young show and I wanted to learn a little more about his new backing band, Promise of the Real. I found a great article that went into detail about their relationship with Neil, how the tour came together, and what they did to prepare for it.  Then at the bottom I read some of the comments and the one on the top read:

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Colored Vinyl

During this vinyl resurgence it is common to find records with all sorts of colors and patterns. However, back in the day it was pretty rare for record companies to put these out and when they did they were fairly limited editions. So these records aren’t that easy to track down, especially in mint condition. All of these LP’s are first editions, play flawlessly and have covers that appear to be brand new.

  • The Beatles: ‘62 – ’66 & ’67 – ’70 / USA – Capital (1978)
  • Pink Floyd: Wish You Were Here / Holland – EMI/Bovema (1975)
  • Pink Floyd: Animals / Holland – EMI/Bovema (1977)
  • Rolling Stones: Some Girls / Holland – Rolling Stones Records (1978)
  • The Who: Who Are You / USA – MCA Records (1978)
  • The Clash: London Calling / UK – CBS (1979)
  • Starz: Violation / USA – Capital Records (1977)